Goblin’s life has been full of separations, reunions and various line- ups that have characterized the tortuous history of this group over the past almost 40 years.

The band was originally formed by myself and Massimo Morante, born from the ashes of Cherry Five (Oliver), thanks to my father Enrico who brought us to the Cinevox Record label in 1974.

From the first historical line-up of Claudio Simonetti: keyboards, Walter Martino: drums, Fabio Pigntelli: bass and Massimo Morante: guitar, that composed the soundtrack of Profondo Rosso/Deep Red, there have been several changes within the band. Starting with the replacement of Walter Martino with Agostino Marangolo on drums, which lasted until 1978, the date of final separation of the “first Goblin republic”, and the participation of keyboardist Maurizio Guarini on the album Roller in 1976.

After the separation in 1978, the band continued to exist with another line-up, led by Fabio Pignatelli, and that’s why we used three names (Simonetti-Morante-Pignatelli) for Tenebre instead of the name Goblin, and were accompanied by other musicians from the Cinevox Record label.

In 1984 the band was reduced to two members, me and Fabio Pignatelli, and we recorded some songs for Dario Argento’s Phenomena (excluding the main theme Phenomena, which was my own composition). Morante and Marangolo had not done anything with Goblin from 1978 to 2000 when I proposed to Argento that we reunite the band for the soundtrack of his film Non Ho Sonno/Sleepless, but sadly the brief reunion ended just after we finished recording the soundtrack.

Many other bands were formed in the following years inspired by the original Goblin: Daemonia, BacktotheGoblin, Goblin Rebirth and New Goblin, all with original members of the band in one combination or another.

Now, with two members of New Goblin, Titta Tani on drums and Bruno Previtali on guitar, and Federico Amorosi (original Daemonia member) on the bass, I formed my own version of the band named Claudio Simonetti ‘s Goblin.

Claudio Simonetti: keyboards
Bruno Previtali: guitars
Cecilia Nappo: bass
Federico Maragoni: drums

We don’t want to ignore any band that is currently active with a similar name, we simply want to continue spreading the great legacy of Goblin’s music in our own way, music that has inspired so many bands and so many generations of musicians over the years.

Claudio Simonetti

District 97 is undoubtedly the most musically adventurous rock band in the world to feature an American Idol Top 10 Female Finalist. Formed in the Fall of 2006 by drummer/primary composer Jonathan Schang, keyboardist Rob Clearfield, bassist Patrick Mulcahy and guitarist Sam Krahn, the band drew upon influences from heavy metal to avant-garde jazz. The foursome from Chicago honed a no-holds barred style of eclectic and intricate Instrumental Rock before deciding the right vocalist was needed to complement their sound: enter 2007 American Idol Top 10 Female Finalist, Leslie Hunt. With a look, sound, and stage presence comparable to a young Ann Wilson from Heart, Leslie’s dynamic performances pushed the band into a new direction that forged a unique marriage between accessible, catchy vocal melodies and an adventurous instrumental prowess. She was followed shortly thereafter by one of Chicago’s finest guitarists, Jim Tashjian. With this new blend of charisma and stellar musicianship in place, their live shows over the past several years at festivals such as RoSfest, Prog Dreams II and V, and numerous appearances across the USA, UK and Europe cemented the band as a force to be reckoned with onstage as well as in the recording studio.

Hybrid Child, the band’s 2010 debut on record label Laser’s Edge, immediately made a big impression worldwide. The album garnered praise such as “District 97 is a wildly ambitious progressive-rock group whose youth belies its accomplishments onstage and on its new Hybrid Child CD” (Jim Derogatis of NPR’s “Sound Opinions” and Rolling Stone Magazine). The release of 2012’s critically-acclaimed followup Trouble With Machines proved the band was the real deal. They had attracted the attention of legendary bassist and vocalist John Wetton (King Crimson/UK/Asia), who sang the role of Chicago serial killer H.H. Holmes on Schang’s “The Perfect Young Man.” With the collaboration heralded as a “tour de force” (dprp.net), the band and Wetton joined forces in 2013 for tours of both Europe and the US, later documented on 2014’s live release, One More Red Night: Live in Chicago. 2013 also saw the band nominated for a Breakthrough Artist Award by Prog Magazine. Rather than rest on their laurels, District 97 took to the studio in 2014 to record the new material they’d been honing at home and on the road. The resulting album, In Vaults (released June 2015), continued and accelerated the upward trajectory of great songwriting and incredible musicianship that had become their hallmark.

In August 2015, Rob Clearfield and Patrick Mulcahy left the group and were succeeded by Andrew Lawrence and TIm Seisser, respectively. The new lineup debuted in highly successful tours across Europe and North America in 2016 and 2017, with highlights including joining the trailblazing prog rock band Yes on their Cruise To The Edge and supporting Pain of Salvation on the In The Passing Light Of Day North American tour. In 2016. District 97 launched the Inside The Vault Club via their website, a monthly subscription series featuring exclusive audio and video downloads, as well as physical releases, the first of which being their stunning Live At De Boerderij DVD. They joined the Dave Kerzner Band for the joint STATIC VAULTS US tour in Fall 2017, and ended the year with a pair of shows with the NYC-based Consider The Source.

2018 saw the band complete a much-lauded North American 10th Anniversary Tour, as well as completing tracking for Screens, their highly-anticipated fourth studio album, and first with the new lineup. Released October 2019 through the UK’s venerable record label Cherry Red, the band featured music from it to great acclaim on Cruise To The Edge, as well as Marillion Montreal Weekend, Seaprog, Summer’s End, and other dates throughout North America, UK, and Europe. One listen perfectly illustrates why iconic drummer Bill Bruford (Yes/King Crimson/Genesis) told Rolling Stone Magazine (10/29/19), “There’s a great band out of Chicago called District 97, who are very good, and they’re here in the U.K. right now. And you know, it’s the next generation of so-called progressive guys who played much better than we ever played.” Mike Portnoy (drummer extraordinaire of Dream Theater/Transatlantic/Liquid Tension Experiment) adds “District 97 continue to prove to be one of the most unique bands in modern Prog!”

The COVID-19 pandemic did not stop the band from innovating. Their Virtual Screening Tour and stunning Ghost Girl animated short film kept them at the top of the prog rock heap. The sprawling double-disc live album Screenplay  (2021) delighted music fans worldwide and served as a preface to live dates in the latter half of 2021 and 2022. With new music having gestated during and following the pandemic, their fifth studio album Stay for the Ending (released October 2023 via Spirit of Unicorn Music) has been widely acclaimed as their greatest work to date. 

Döskalle from Stockholm, Sweden
Mattias Olsson
Tobias Alpadie
Hampus Nordgren-Hemlin