Twenty years ago, an underground cult movement surfaced in Tampa, Florida that revolutionized the metal world. The pioneers of this burgeoning scene, DEICIDE, are still striking fear into hearts of the masses to this day. Century Media Records are extremely proud to announce a worldwide deal with DEICIDE, one of the founding fathers of death metal and easily one of the most influential and controversial bands ever. With a relentlessly brutal sound and uncompromisingly blasphemous lyrics, DEICIDE helped set the standards for extreme metal and have maintained those standards ever since.

DEICIDE led by original members Glen Benton (vocals, bass) and Steve Asheim (drums) have been busy at Audiohammer Studios with Mark Lewis (Black Dahlia, Chimaira) and are looking at a summer ’09 release. The group have reunited with legendary guitarists Jack Owen (ex-Cannibal Corpse) and Ralph Santolla (Obituary, ex-Iced Earth, Death) and will embark on a two-week European tour in January 2009.

Benton states: “I want to say it is an honor to be an official CM artist. I look forward to working with the fine folks at CM and providing them with our style of metal. I can ensure you that what surfaces will definitely be nothing less than a total bash-your-face-in-from-start-to-finish, bastard. HAIL SATAN!!!!”

Asheim further comments: “I’m happy to be a part of the CM family and look forward to working with them. The new DEICIDE material in the works should be a good way to kick off the new deal. It’s a totally sick new record with a totally sick new label, but the same ol’ sick DEICIDE. See you all in 2009 and hold onto your balls!”

DEICIDE released their groundbreaking self-titled debut in 1990. Recorded at Tampa’s Morrisound Studio (the legendary studio where the band would go on to record all its albums), the vicious debut would soon be hailed as one of the “Top 100 Metal Albums of the 90’s” by England’s metal authority, Terrorizer Magazine. In 1992, DEICIDE followed up their debut with “Legion”, which was an instant success, further establishing their furious musical intensity and vengeful anti-Christian stance. This landmark extreme metal release secured their place at the forefront of the American death metal scene as they rapidly earned a reputation for controversy.

DEICIDE’s appearance and live antics matched the extremity of their music and lyrics. With an inverted cross branded into his forehead, Benton cast himself as the incarnation of pure evil. At shows, he was known to pull such stunts as dousing the crowds with bags full of real animal organs. DEICIDE quickly found themselves banned from clubs, boycotted by magazines, and blacklisted by Christian groups and animal-rights activists. Anti-establishment to the core, DEICIDE embodied the worst fears of the conservative masses, and loved it. Rather than shy away from controversy, DEICIDE provoked it and willingly engaged in it.

DEICIDE stormed ahead into the future, releasing numerous albums engulfed by waves of controversy, as their popularity continued to ferment within the scene. However, it was the 2006 release “The Stench of Redemption” that put the band back on the map as the leaders of the genre. This was their first album to showcase the more melodic leads of guitarists Owen and Santolla which only added to their riotous and enigmatic success. DEICIDE looks forward to taking things to the next level in 2009, promising to deliver the album of their already heralded career.

Behold the new masters of darkness! SEPTICFLESH kindly invite you to join “The Great Mass”. The Greeks’ seventh full length is a new symphonic masterpiece that constitutes a quantum leap in the art of amalgamating orchestral music with Heavy Metal. These songs are audible evidence of guitarist Christos Antoniou finishing his studies of classical composition with academic honours and distinction. “The Great Mass” sounds nothing like the nowadays all too common application of ordinary soundtrack themes to hard music.

The band Inquisition was formed in 1988 in Cali, Colombia by Dagon. The band started as a thrash metal act, and in 1994 evolved into raw black metal.

In 1996, Dagon left Colombia and moved back to the United States to continue Inquisition and search for a new drummer. That same year Dagon met Incubus, who joined the band on drums and the creation of their debut full length album began. This line-up has remained stable for more than fifteen years and is now seen as the classic Inquisition line-up.

INQUISITION style of black metal involves slow, deep and dark riffing combined with sudden tempo changes to faster sections based around blast beats and high-speed riffing; at times adding melodic solos. The classic Inquisition sound incorporates a combination of early era thrash metal-influenced riffing with darker and more chaotic black metal, primarily involving fast, tremolo picked minor-key guitar riffs, thus creating the trademark “Inquisition sound”.

Hailing from Los Angeles CA, ABYSMAL DAWN plays an aggressive mix of modern death metal. The band seamlessly blends the hooks and technicality of early 90’s American death metal, with atmosphere, melody and the brutality of their contemporaries.

ABYSMAL DAWN was formed by Charles Elliott (guitars/vocals), Jamie Boulanger (guitars), and Terry Barajas (drums) who circulated a three song demo in winter 2004. The demo garnered some attention for the band within the underground metal press circuit as well as helped them score gigs alongside Exodus, 3 Inches of Blood, Hate Eternal, Into Eternity, Aborted, and more.

In November ‘05, the band began work on what would become their first proper full-length From Ashes with engineer John Haddad (Intronaut, Eyes of Fire, Phobia). The resulting nine songs paid special attention to not only brutality, but song craft as well and earned the band a remarkable international press response for a debut album. On the strength of From Ashes, they earned their first U.S. tour, a five-week juggernaut alongside Six Feet Under and Decapitated and played as support throughout their home state with the likes of Suffocation, Emperor, Immortal, Goatwhore, Decrepit Birth, and more.

In 2007, ABYSMAL DAWN played a handful of festivals (LA Murderfest, Gathering of the Sick, Burning Star Metal Fest, and more) but most of the band’s time we devoted to writing and rehearsing new material for their follow-up to From Ashes. By November, ABYSMAL DAWN had entered Haddad’s new studio to begin the next full-length.

ABYSMAL DAWN spent the next three-months in and out of the studio crafting Programmed To Consume. One by one, track by track, the pieces of this record came together, including brand new artwork once again from Par Olofsson.

In February 2008, ABYSMAL DAWN signed a deal with Relapse Records, making Programmed To Consume the band’s label debut. ABYSMAL DAWN will unleash this virulent strain of modern death metal on May 13th (May 19th internationally). The band’s metallic assault thunders with all the hallmarks of death metal’s finest traits, and prove that ABYSMAL DAWN is an explosive new force in American death metal.

The Dutch masters of horror are back! On ‘Franckensteina Strataemontanus’, CARACH ANGREN resurrect the gruesome story of troubled soul ‘Conrad Dippel’; the inspiration of Mary Shelly’s novel ‘Frankenstein’.

CARACH ANGREN set out to tell ghost-stories with a set of paranormal cases recorded on the demo ‘The Chase Vault Tragedy’ (2004). This was soon followed by the official release of the ‘Ethereal Veiled Existence’ EP (2005) as a prelude to the haunting ‘Lammendam’ (2008). Their full-length ‘Death Came through a Phantom Ship’ (2010) witnessed the band setting sail to bring their eccentric and capturing live performances to audiences and festivals all over Europe. In the wake of third album ‘Where the Corpses Sink Forever’ (2012), the haunting had reached the US and started to spread rapidly. While firmly remaining in the horror genre, their tales revolve around the evils of war. This mature streak was taken a step further with the fourth full-length ‘This Is No Fairytale’ (2015), which is on the surface a darker variation of the “Hansel and Gretel”, but also deals with a dysfunctional family. With ‘Dance And Laugh Amongst The Rotten’ (2017), the band returned to pure story telling that centred on a girl playing a little too long with a Ouija board.

CARACH ANGREN return with the monster ‘Franckensteina Strataemontanus’, where the Dutch have pushed their unashamedly theatrical style to new heights. Press play and have your soul transferred with this new elixir of life!